Caña

The caña is a flamenco stick, which has historically been considered the most important of them all. Estébanez Calderón, in his Andalusian Scenes called the caña “primitive trunk of Andalusian songs”, and Professor García Matos claimed that it came from an ancient Andalusian song. However, other authors dispute this musical etymology, at least partially, relatingContinue reading “Caña”

Rumbas

Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation: [ˈrumba]), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music that diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in Andalusia, southern Spain, where Cuban music firstContinue reading “Rumbas”

Sevillanas

(Spanish pronunciation: [seβiˈʝanas]) are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century, they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country life, virgins, country towns, neighbourhoods, pilgrimage, and loveContinue reading “Sevillanas”

Tango

Spanish pronunciation: [ˈtaŋɡo]) is one of the flamenco palos closely related in form and feeling to the rumba flamenca. It is often performed as a finale to a flamenco tiento. Its compás and llamada are the same as that of the farruca and share the farruca’s lively nature. However, the tango is normally performed in the A Phrygian mode. The first references thatContinue reading “Tango”